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Melody Matters

There’s an old theater adage that “no one leaves humming the set.” I contend it’s equally true that “no one leaves humming the syncopated, accidental-filled, sixteenth-note-y vamp.” As more new musical theater is being written by amazingly talented, expert pianists (who are often non-singers), increasing attention is being paid to the accompaniment figure, which is being written first, at […]

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