Blog Filter By New Musical Development

Anticipation – Dog and Pony: Part 1

When you’re expecting a baby, you go through a range of emotions.  Excitement, anticipation, abject terror and, about five or six months into the pregnancy, utter boredom.  But, by and large, babies take as long as they’re going to take to “cook.” No matter how much you want the little nipper to show up, opening […]

The post Anticipation – Dog and Pony: Part 1 appeared first on The NewMusicalTheatre.com Green Room.

Speaking up for the character: The Actor

In this series of blog entries, I’m having conversations with people who are part of the creation of original musicals. This week I caught up with Alison Fraser, who has created iconic roles in musicals such as March of the Falsettos and The Secret Garden, which brought her a Tony nomination. I have had the pleasure […]

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Theater Is Life Times Ten: The Producer

In this series of blog posts, I’m having conversations with people who are all involved in different facets of creating new musicals. This week, I talked with Kevin Moore, the Producing Artistic Director of the Human Race Theatre in Dayton, Ohio. I have worked with Kevin many times, and have always appreciated his forthright approach […]

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In my last post I discussed the current state of commercial musicals in the West End, and how commercialism by its very nature presents challenges to those writing and producing new material. Without an established benefactor behind a show, or dozens of experienced ‘angels’ willing to open their chequebooks, exactly how are new musicals funded? […]

The post Crowdfunding and the Future of New Musical Theatre in London and Beyond appeared first on The NewMusicalTheatre.com Green Room.

A Shared Vision, A Sense of Mission: The Director

In my blog posts here, I’m talking to a range of people who are all involved with bringing new musicals into being. This week, I had a conversation with Michelle Tattenbaum, a director with whom I’ve worked many times, both on my own material, and as a director of work at NYU’s Graduate Musical Theater […]

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Change It, Change It, Don’t Change It

When I saw [title of show] at the very end of its run at the Vineyard Theater, so many moments resonated with me – come on, who did not cry during “A Way Back To Then”? But one particular section had me laugh-cringing – “Change It, Don’t Change It” – just that simple refrain distilled […]

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