A couple of weeks ago two show announcements came on the same day that would have had the writers of Forbidden Broadway rubbing their hands together with glee. In a West End market currently saturated with revivals, and original productions of 1980s ‘mega-musicals,’ it was revealed that Evita (1978) and Cats (1981), both hits by British […]
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Broadway imports have often kept the West End alive, and in recent years have given London a refreshing wave of new musicals. Over the past year, celebrated hits such as Once and The Book of Mormon have made the transition, often within a year of opening on Broadway and winning handfuls of Tony Awards. It […]
The post Delaying a transfer – “Fools rush in where angels fear to tread” appeared first on The NewMusicalTheatre.com Green Room.
In my last post I discussed the current state of commercial musicals in the West End, and how commercialism by its very nature presents challenges to those writing and producing new material. Without an established benefactor behind a show, or dozens of experienced ‘angels’ willing to open their chequebooks, exactly how are new musicals funded? […]
The post Crowdfunding and the Future of New Musical Theatre in London and Beyond appeared first on The NewMusicalTheatre.com Green Room.
London’s West End was once the home of new British musicals, and thanks to business driven individuals such as Andrew Lloyd Webber and Cameron Mackintosh these iconic shows were exported around the world at an alarming rate. The 1980s saw a boom for original musicals in the West End, and as society was enjoying the […]
The post What’s in a Name? The Passport to Success in the Commercial West End appeared first on The NewMusicalTheatre.com Green Room.
